The Archaeological Survey of India (ASI) has undertaken the partial restoration of two Peshwa-era murals located on the gatehouse walls of Pune's historic Shaniwar Wada. These artworks, originally created in 1732 by Rajasthani artists under the patronage of Peshwa Bajirao I, had suffered significant damage over the centuries due to a devastating fire and prolonged exposure to environmental factors. 

In a statement released last month, the ASI detailed the meticulous preservation process employed by its science branch. The restoration involved the careful removal of accumulated layers of lime, dust, dirt, and smoke that had obscured the delicate Maratha masterpieces. Areas with flaking or bulging paint were reinforced, and a protective preservative was applied to ensure the longevity of the murals. 

Despite these efforts, the restored murals offer only a partial glimpse into their original splendor. The central depiction of Lord Ganapati is relatively better preserved, showcasing the upper portions of the figure. However, accompanying figures such as Garud and Hanuman are barely discernible, and the Dasha Avatar frescos on the horizontal stone bands have deteriorated significantly, with some images nearly vanished due to direct sunlight exposure. 

Historians have expressed concerns regarding the timing of the restoration. Guruprasad Kanitkar, a noted historian and author specializing in Maratha history, remarked that earlier intervention might have preserved more of the murals' intricate details. He emphasized that delays in conservation efforts can lead to irreversible loss, making accurate restoration increasingly challenging. 

Shaniwar Wada, constructed in 1732, served as the residence of the Peshwas and stands as a significant monument in Maratha history. The recent restoration by the ASI highlights the ongoing challenges in preserving India's rich cultural heritage and underscores the necessity for timely and sustained conservation initiatives.